Dabei handelt es sich um das erste DEICIDE-Album seit 2013 und das zwöfte Bandalbum insgesamt. Die Scheibe wurde von Jason Suecof produziert, das Artwort stammt von Zbigniew Bielak.

Benton gibt zu Protokoll: "This album came together over time, meaning we didn't want to rush it. A few  people might remember an interview where Steve Asheim  (original member, drummer/songwriter) said 'the material is  done, but it's just not there yet.' Well, that was the  jumping off point of when this album truly started taking  shape and the songs became what they are now...complete,  compact and effective. As the band pushed forward, so did  the writing process and a few other processes which made the  record and the band stronger. The result is Overtures Of  Blasphemy, perhaps the group’s strongest release to date. Jason Suecoff lended his considerable talents and attention to detail in making the  tracking of the songs as great as they can be and the final  mix as sonically brutal, yet as listenable as possible. An arduous process, but one well worth the time and effort."

Coverartist Zbigniew Bielak kommentiert sein Artwork für “Overtures Of Blasphemy”: “If you experienced the death metal boom of the early 90s first hand, you know why Deicide's flaming logo was the ultimate threat in the sanity department. Working with Glen Benton was a great honor and a throwback to the time, when death metal aesthetics were at their vilest. Satan Spawn the Caco Deamon is alive and well.”